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Wake Work*
2022
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The History of Oppression
2022
Presentation
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Print
The Liberation Economy
2022
Presentation
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Bulk Space
2021
Visual Identity
Making Room for Abolition
2021
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2021
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Escaping Erasure
2020
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2019
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La Lucha de los Raíces
2018
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Making Room

Transforming homes from sites of carcerality into spaces for abolitionist imagination

YEAR

October
2021

INTENTION(S)

Imagining Otherwise

Medium(s)

Writing

THEME(s)

abolition
racism
Detroit
design fiction

Role(s)

Author

FORUM / publication

Futuress.org

CLIENT or HOST

CREDITS

Location

"Making Room: Transforming Homes from Sites of Carcerality into Spaces for Abolitionist Imagination" is an essay exploring who has the power and purview to speculate and bring forth futures; the ways in which homes become sites of carcerality, especially in a city like Detroit; the degree to homes—as "real estate"—become sites of speculation that leave poor, Black families out of the future; and the attendant crisis of imagination that prevents us from seeing the possibility or plausibility of a different way forward. This text was produced as part of the Against the Grain workshop.

An excerpt follows, visit Futuress.org to read the published article: 

We struggle to imagine a world without police, prisons, or capitalism, myself included. We’re beholden to a crisis of imagination which is, in many ways, symptomatic of the “disaster capitalism” of which Naomi Klein writes: Catastrophic (often humanmade) moments in which “we are hurled further apart, when we lurch into a radically segregated future where some of us will fall off the map and others ascend to a parallel privatized state.”
Detroit, Michigan—where I live—is a city defined by manufactured disasters and disasters of manufacturing: The abandonment by the auto industry and the subsequent mismanagement by the apparatus of the City itself decades later have unmistakably shaped life in Detroit. The fallout of these crises left behind thousands of stranded workers, literal industrial and residential ruin, structural decay, streets in disrepair, gutted houses and gutted homes and gutted neighborhoods, disinvestment in people and place, a tragedy and a “beautiful wasteland” as described by Rebecca Kinney in Beautiful Wasteland: The Rise of Detroit as a Post-Industrial Frontier. The “New Detroit”—the shiny, saccharine, “revitalized” downtown—is the parallel privatized state that Klein referenced. It is the prize of catastrophe awarded those who stand to benefit from this radically segregated future.
We are convinced en masse that the capacity to “speculate,” to construct futures, is the exclusive domain of those who’ve mastered speculation in a neoliberal sense. Only through the specialized techniques of contrived calculations, computational sciences, and statistics can we model and predict the future. In The Future as Cultural Fact, Arjun Appadurai writes that the future has “been more or less completely handed over to economics.” Speculation has become the purview, exclusively, of those who command enough capital to make new worlds appear out of ruins or thin air. “To most ordinary people—and certainly to those who lead lives in conditions of poverty, exclusion, displacement, violence, and repression—the future often presents itself as a luxury, a nightmare, a doubt, or a shrinking possibility.”
To borrow from Appadurai, what’s needed, in a space where the capacity to speculate is denied, is a politics of hope which depends on our capacity to “convert uncertainty into risk” by—in my estimation—collaborating to imagine a world that the calculations of neoliberal financial speculation tells us is impossible.
What if we could imagine a world without police and prisons and capitalism? Not just think, talk, or write about it, but truly see, feel, hold, and sit in it?

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